01 — Context

Six months embedded in a coliving space in Tenerife, with a dual mandate: host the community, redesign the brand around it.

Nine Coliving · Tenerife · Mar–Aug 2024

Brand identityWebsiteInternal operationsUX research

Role

Embedded host & designer

Programme

Erasmus+ Young Entrepreneurs

Duration

6 months on site

Team size

5 people

Deliverables

Brand identity, website, Notion ops system

Nine Coliving is a small, community-driven coliving space in the north of Tenerife, hosting remote workers and creatives for stays of a few weeks to several months. I joined through Erasmus+ EYE, a programme structured around mutual skill transfer — design and research from me, hospitality and operations from the team, daily work side by side.

My role was deliberately hybrid. As community host I ran check-ins and check-outs, supported guests through their stay, and held the day-to-day texture of the house. As designer I used that same proximity to run research and rebuild three things the team had outgrown: brand identity, website, internal operations.

01 / Audience mismatch

The visual identity felt dated and skewed the audience: the brand was read as targeted to women, while Nine was built for a mixed community of remote workers and creatives.

02 / Invisible daily life

The rhythm of activities, the kind of people who came through, what a week at Nine actually looked like — none of it was legible from the outside. Prospective guests had to imagine it.

03 / Fragmented operations

Internal workflows were spread across tools that didn't talk to each other, slowing host onboarding and making guest information easy to lose.

Nine wanted to position itself as a pro-local coliving — at a moment when Tenerife was openly questioning the cost of mass tourism.

The brief, in one line

Make Nine legible — to guests, to the team, and to the island it sits in.

02 — Immersion

Six months on the inside.

Living and working at Nine for six months meant the research never really started or stopped. Check-ins doubled as first interviews, shared dinners surfaced patterns a survey would have missed, and the team's daily rhythms became the baseline I designed against. Tenerife, in those months, was openly questioning the cost of mass tourism — and Nine sat inside that conversation.

Project Timeline

MarOnboardingAprMayResearchJunJulDesignAugHandover
Protest in Tenerife with signs reading Canarias tiene un límite

Manifestation, Tenerife — 2024

Street pole with anti-tourism stickers in La Orotava

La Orotava, street level

Group photo during a community trip at Nine Coliving

Community trip

Laptop workspace with colleagues in the background

Designing on site

03 — Research

What six months of proximity made visible.

Embedded research produced 32 checkout interviews, a community-wide survey with over 100 responses, a card sorting session, and four focus groups with guests and team members. Four findings shaped every design decision that followed.

32

Checkout interviews

100+

Survey responses

1

Card sorting session

4

Focus groups

Card sorting session with team members

Card sorting session

Focus group on guest experience

Focus group on guest experience

01

Insight 01 / 04

The brand was selecting an audience the team hadn't chosen.

70% of bookings came from women aged 28–35, but checkout interviews showed the target audience was mixed: remote workers, creatives, and freelancers across genders and life stages. The visual language was filtering the audience before the team had a chance to.

→ Design decision

Rebuild the brand identity around a tone that reads as inclusive without feeling neutralised — new colour system, typography, and editorial voice.

04 — Design

A redesign, not a reinvention.

Nine already existed: a Squarespace site, a tiffany-blue logo, an audience that had grown over years. The work wasn't to start over — it was to take what was there and build a visual system around it, one that matched the experience of actually being in the house.

04.1 / Brand Identity

The palette wasn't there. The tiffany blue from the logo was — that stayed, as a thread of continuity. Around it, I built a system that recalled the real atmospheres guests live through at Nine:

  • — Rust red and deep green, for the volcanic rock and northern forests of Tenerife
  • — Shades of pink and dark brown, drawn from the colours of the historic house itself
  • — The original tiffany blue, kept as a narrative anchor

04.2 / Website

Nine's atmosphere in person is soft, airy, slow. The house is built around wide rooms, tall windows, and corridors filled with light — a Scandinavian sensibility set inside a historic Canarian building.

The website needed to feel the same: editorial layouts, generous spacing, gradients that echo how light moves through the rooms. The goal was simple — the visual identity online should remind you of the place, and the place should remind you of the identity.

04.3 / Notion Ops System

A single dashboard for everything the team needs to stay in sync — accessible from a desk, from a hike, from the supermarket, from a check-in. Before, syncing meant catching each other live across shifts; with everyone on different schedules, that often meant information simply got lost. Notion replaced the scramble with a shared source of truth.

Nine Coliving color palette
Sunset coastal landscape inspiration
Nine Coliving UI components
Nine Coliving workspace
Nine Coliving garden hammock
Nine Coliving rooftop terrace
Nine Coliving bedroom
Nine Coliving common area
Nine Coliving sunroom
Nine Coliving homepage before redesignNine Coliving homepage after redesign
Nine Coliving Notion operations dashboard
Giada at Nine Coliving

Once a niner, always a niner — find me in this magical place a few months a year.